A most modest Karl Lagerfeld tells Hilary Alexander of Telegraph that "I'm lucky because I'm doing exactly what I want to do... maybe I could do better but I try" in a short interview with topics ranging from his latest couture collection, his favorite types of books, his latest musical taste and even his reasoning for straying away from his signature all-black look! Find out for yourself and watch below, followed by a look into Chanel's Spring collection from Couture Week.
This Spring's haute couture collection designed by Karl Lagerfeld for Chanel captured what I thought to be a more playfully romantic side of the brand. Lagerfeld was inspired by artist Marie Laurencin, who painted an effortlessly soft and fluid portrait of Miss Coco Chanel in 1923. At the time, both Laurencin and Chanel were each designing for a ballet of their own, another element of inspiration for this couture season's graceful collection of pastel pinks, flowing chiffons and even the simple backless pointed flats the models walked in this week's show. This was, sadly enough, one of my least favorite collections from Chanel, as the signature suits looks half-heartedly frumpy and the (typically divine) gowns looked a bit ostentatious and overdone reminding me of the '80s, a time known for its excessive poof dresses that of which Lagerfeld's designs resembled way too closely. However, I do think that as always, Mr. Lagerfeld successfully told his story of inspiration through the graceful mood and ambiance that was presented on the runway, while also incorporating signature Chanel design details that are important to keeping the originality of the brand. From this collection, we saw the ever-so-famous Chanel dropped waistlines, boxy silhouettes, and two-tones (not particularly on the shoes, but on tunics and jackets - to name a few). Below is the original portrait painted by Marie Laurencin of Mademoiselle Chanel, followed by the looks that I enjoyed most from 60+ look collection.
This Spring's haute couture collection designed by Karl Lagerfeld for Chanel captured what I thought to be a more playfully romantic side of the brand. Lagerfeld was inspired by artist Marie Laurencin, who painted an effortlessly soft and fluid portrait of Miss Coco Chanel in 1923. At the time, both Laurencin and Chanel were each designing for a ballet of their own, another element of inspiration for this couture season's graceful collection of pastel pinks, flowing chiffons and even the simple backless pointed flats the models walked in this week's show. This was, sadly enough, one of my least favorite collections from Chanel, as the signature suits looks half-heartedly frumpy and the (typically divine) gowns looked a bit ostentatious and overdone reminding me of the '80s, a time known for its excessive poof dresses that of which Lagerfeld's designs resembled way too closely. However, I do think that as always, Mr. Lagerfeld successfully told his story of inspiration through the graceful mood and ambiance that was presented on the runway, while also incorporating signature Chanel design details that are important to keeping the originality of the brand. From this collection, we saw the ever-so-famous Chanel dropped waistlines, boxy silhouettes, and two-tones (not particularly on the shoes, but on tunics and jackets - to name a few). Below is the original portrait painted by Marie Laurencin of Mademoiselle Chanel, followed by the looks that I enjoyed most from 60+ look collection.
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| Marie Laurencin, "Portrait of Mademoiselle Chanel," 1923 |
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| My absolute favorite. An updated maxi tutu and a boxy sparkle tee. Perfect feminine frill and modern elegance. |
Photo Credits: www.style.com
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